Biography Symposium: Ruth Franklin & Imani Perry

Event time: 
Thursday, February 25, 2021 - 12:00pm to 1:00pm
Location: 
Online () See map
Event description: 

One of Three Conversations on Contemporary Biography: Writing about Writers, co-sponsored by the Beinecke Library and Public Humanities at Yale.
Zoom webinar registration: https://bit.ly/3nZ9iLM
Ruth Franklin is a book critic and former editor at The New Republic. Her first biography, Shirley Jackson: A Rather Haunted Life (Liveright/W.W. Norton, 2016) won the National Book Critics Circle Award for Biography. Franklin’s work appears in many publications, including The New Yorker, The New York Times Book Review, The New York Review of Books, and Harper’s. She is the recipient of a Guggenheim Fellowship in biography, a Cullman Fellowship at the New York Public Library, a Leon Levy Fellowship in biography, and the Roger Shattuck Prize for Criticism. Her first book, A Thousand Darknesses: Lies and Truth in Holocaust Fiction (Oxford University Press, 2011), was a finalist for the Sami Rohr Prize for Jewish Literature.
Imani Perry is the Hughes-Rogers Professor of African American Studies at Princeton University and a faculty associate with the Programs in Law and Public Affairs, Gender and Sexuality Studies and Jazz Studies. She is the author of 6 books, including Looking for Lorraine: The Radiant and Radical Life of Lorraine Hansberry, which received the Pen Bograd-Weld Award for Biography, The Phi Beta Kappa Christian Gauss Award for outstanding work in literary scholarship, the Lambda Literary Award for LGBTQ Nonfiction and the Shilts-Grahn Award for nonfiction from the Publishing Triangle. Her book May We Forever Stand: A History of the Black National Anthem, was winner of the 2019 American Studies Association John Hope Franklin Book Award for the best book in American Studies, the Hurston Wright Award for Nonfiction, and finalist for an NAACP Image Award in Nonfiction. Her most recent book, Breathe: A Letter to My Sons (Beacon Press, 2019), was a finalist for the 2020 Chautauqua Prize and a finalist for the NAACP Image Award for Excellence in Nonfiction.

Open to: 
General Public